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In this unprecedented and brilliant study, Linda Williams moves beyond the impasse of anti-porn/anti-censorship position-taking to analyze what hard-core film pornography is and does--as a genre with a history, as a specific cinematic form, and as part of contemporary discourse on sexuality. Working against tendencies to oversimplify hard core--either as pure abusive power or pure liberatory pleasure--Williams sees the form as inherently contradictory. Hard core claims to speak confessional and involuntary "truths" of sex. However, analysis of its forms (including its spectacular "money shots" and sexual "numbers" parallel to those in musicals) reveals that sex in the sense of a natural, visible "doing what comes naturally" is in fact the supreme and deeply contradictory fiction of the genre. Gender, the social construction of the relation between the sexes, is what determines this fiction.
Pornographic films --- Pornography. --- Sex in motion pictures. --- History and criticism. --- Sex in motion pictures --- Pornography --- CDL --- 791.43 WILLIAMS --- Erotica --- Sex in moving-pictures --- Motion pictures --- Erotic films --- Literature, Immoral --- Porn --- Porno --- Sex-oriented businesses --- Eroticism --- History and criticism --- Sexology --- Film --- Sex industry
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Film --- United States --- 791.43 <09> --- 791.43.04-055.2 --- Comedy films --- Love in motion pictures --- Sex in motion pictures --- Sex role in motion pictures --- Women in motion pictures --- Man-woman relationships in motion pictures --- #SBIB:309H1326 --- Motion pictures --- Sex in moving-pictures --- Erotic films --- Pornographic films --- Filmgeschiedenis. Filmhistorie --- De vrouw in de film --- History and criticism. --- Films met een amusementsfunctie en/of esthetische functie: genres en richtingen --- 791.43.04-055.2 De vrouw in de film --- 791.43 <09> Filmgeschiedenis. Filmhistorie --- History and criticism --- United States of America
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